Film Autuerism Essay - 1302 Words

Film Autuerism Auteurism is a term first coined by Francois Truffaut to describe the mark of a film director on his films. A director can be considered an auteur if about five of his film depict a certain style that is definitely his own. In other words, much like one can look at a painting and tell if it is a Monet, a Renoir, or a Degas, if a film director is an auteur, one can look at his film and tell by style and recurring themes that it was made by a certain director. In auteur films, the director is many times what brings an audience to the theater, instead of the actors or storyline. I am going to take a look at three of the most noted auteurs: Frederico Fellini, Satyajit Ray, and Alfred Hitchcock. I watched five of†¦show more content†¦In all of the films, the husband and wife have difficulty communicating with each other. One scene in City of Women visually shows this with multiple barriers: physical (a column and doorway), spatial (the characters are on opposite sides of the screen) and social (a crown with turned backs). In Juliet of the Spirits, Julieta is the â€Å"superwife.† She plays all of the above stated roles, and also it is apparent that she has her own interior life. This is shown by the use of mirrors and reflections within reflections. The final character archetype that I noticed in Fellini’s films is the â€Å"macho man.† This is probably best illustrated in the harem sequence in 8-1/2. In this the main character imagines himself as the master of all women he has ever desired, real or fantasized. In City of Women the doctor is the idealized male stereotype who now has to deal with women’s increasing independence. I do not think that this character was as effective, however, in showing this archetype as much as the harem sequence did. In La Strada the male character is kept a prisoner by these male virtues- he cannot communicate his own feelings. Fellini definitely has many trademarks, but I chose these to write about because they are the least remarked upon. But, surely when one watches any Fellini film, there is a definite look and feel to the movie, making Fellini a true auteur. The next auteur that I studiedShow MoreRelatedDiscuss the technological impact on film theory and the advantages and disadvantages of the invasion of the digital world.1428 Words   |  6 PagesFilms are one of the most popular media in the modern world, watched by hundreds of millions of people all around the world. Films began in the late 19th century as a technological novelty, transferring to a new means of presentation and distribution an older tradition of entertainment, offering stories, spectacles, music, drama, humour and technical tricks for popular consumption. (McQuail, 1983) And, as with any popular media, people began to talk and write about it, and film theory arose fromRead MoreThe Simplest Form, By Francois Truffaut2158 Words   |  9 PagesIn the simplest form, an â€Å"auteur† is the author of a film in which who writes and directs their own films and which are usually very unique. The word auteur originated in France and is the outline for an abstract ap proach to film making where as the director is seen as the central artistic force in a motions picture. The word auteur was introduced in France during the late 1940’s founded by Franà §ois Truffaut who was a French director turned Auteur however Andre Basin would be categorized as the â€Å"father